Robert L. Pepper
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  • Sketchbook-Pen On Colour 2017
  • Sketchbook-Colour on Pen 2017
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Composited Reality Project

These images were created in 2016 in collaboration with Robin Storey (New Castle, UK). We both took a series of photos and swapped them. After that we composited the images in Photoshop. Then we traded the composites and used them as references to our paintings. Below are Robert and Robin's renderings. 

​Click on the Images to Enlarge
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Robert L. Pepper's Versions

Robert L. Pepper Statement: 

"All of my life I have been interested in ancient civilizations and esotericism. I believe that the art and beliefs of ancient cultures were influenced by something coming from within themselves. This influence is illustrated through the art and architecture of these cultures. 
In this project with Robin Storey, I tried to intrinsically illustrate, through the meditative art of painting, the connections of the two parallels of imagery through the compostited photographs."
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Code to the Brain-2016, $450
Electric Forest2016, $450
Flowers in Squared Circles-2016, $450
Gateway to the Truth-2016, $450
Natural Mechanism-2016, $450
Park Mischief-2016, $450
Round River-2016, $450
Squared Brain Waves-2016, $450
The Bridge to Something Other-2016, $450
The Council of the Sky-2016, $450
The House of Truth-2016, $450
The Key to the Place in the Dark-2016, $450
The Real Industrialism-2016, $450
The Witch in Tentacles-2016, $450
Two Paces in Time-2016, $450

Robin Storey's Versions
​
Robin Storey Statement:

"As a visual artist I have long had a great interest in ancient symbols glyphs and runes as I grew up in an area of the UK where these were prevalent  and readily visible in pre-historical monuments and ancient architecture.
This joint project with Robert Pepper was conducted with an initial exchange of a number of photographs of where we lived. These photographs were then manipulated and combined in a series of collaged images. These collages formed the basis of the paintings which ensued.
The images are reduced to imaginary symbols and glyphs and organized in an imaginary pictographic manner. Each painting is both individual and part of a wider narrative.
They invite the viewer to their own interpretation."

http://www.rapoon.org/
Where Dreams End - 2016
Ovaline Oils - 2016
The Holy Arch - 2016
The Hand That Fell - 2016
Ram and Spire - 2016
East Windows Hallow - 2016
River and Hope - 2016
Snake Eye Fall - 2016
Cathedral #1 - 2016
Bridge of Goats - 2016
Bridge of Eyes - 2016
Ram #2 - 2016
Catherdral #2 - 2016
Falling S - 2016
Ram's Cross - 2016
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  • Work
  • News
  • About
  • Work-2018
  • Work-2015
  • Work-2016
  • Work-2017
  • The Flowers Are Quite Different Where You Are
  • Store
  • Past Shows
  • Contact
  • Tarot Paintings
  • Composited Reality Project
  • Older Works
  • Sketchbook-Pen On Colour 2017
  • Sketchbook-Colour on Pen 2017
  • Sketchbook-Small-Colour on Pen 2014-2015
  • Sketchbook-Small-Colour on Pen 2016-2017
  • Illuminating the Traditional Medium
  • Press/Publications
  • Film Projects
  • Writing
  • Visionary Art Show
  • Flowers-Collaborations
  • Flowers-Flowers
  • Flowers-Gouache On Paper
  • Flowers-Portraits
  • Flowers-Projections On Art 2020
  • Flowers-Acrylic On Canvas 2019